A white picket fence frames an ominously dark scene in Kerry James Marshall’s collage-painting, a comment on the obstacles to Black home-ownership. Mostly realistic, the picture includes ...

He explains that this wasn’t 'a conscious collage, but as an architect you accumulate baggage ... Six Columns’ brick, called Tudor Black, is super-smooth on the lower part, while the bricks above are ...

This book presents the 1960s as a unique commitment to art, when 'Black' became a political identity, one in which racial social justice became inseparable from aesthetic practice. To save content ...

Jasmine Gibson’s “Black Mass” coordinates the anguish of racial violence with on-the-ground relations between bosses and workers, sexuality, and geopolitics. Daniel Borzutzky’s The Performance of ...